Historical Blockbuster Done Right

It’s been a while since I’ve reviewed a movie from the 1930s for the AFI challenge so I’d thought I’d take it way back to 1935 for the iconic ‘Mutiny on the Bounty’ based on a true story (1935: AFI 1998 #86) staring the George Clooney of the Golden Era Clarke Gable (because the Cary Grant comparisons are absurd – there will never be another actor as effortlessly charming as Grant) playing Fletcher Christian and British theatre star Charles Laughton as villainous Captain William Bligh (yup, they again chose a Brit to play the most hated man in the movie). I actually think that this maybe (correct me if I’m wrong) but the oldest film I have reviewed so far – although I managed to catch Buster Keaton’s silent farcical classic ‘The General’ (1926: AFI 2007 #18) a while back but haven’t managed to write about it because I hope to compare it to Chaplin’s ‘Modern Times’ (1936 AFI 1998 #81, 2007#78) which I’ve yet to see.

Mutiny_on_the_Bounty - beauty shot

Clarke Gable and Tahitian love interest Mamo Clarke

‘Mutiny’ is a legendary story of how Lieutenant Fletcher of HMS Bounty stages a revolt after witnessing Captain Bligh’s cruel and brutal treatment of his officers and crew on the long voyage to Tahiti in 1787. As a history minor graduate I had heard of this infamous tale, but I decided to take elective’s on the History of Sport and The French Revolution so it never made my syllabus, so I’m not sure if it is historically accurate. However, the fact that central character Roger Byam (played by Franchot Tone) who faces a moral dilemma of obeying his tyrant Captain or following his friend Fletcher into the mutiny was not a real character but based on midshipman Peter Haywood suggests that those wanting to use the flick as a point of reference before their history exam on the event may find that their grade is not as high as they’d hope. And although Captain Bligh has a reputation of being a tormenter he did not flog any of his crew to their death as the film depicts.

‘The Mutiny on the Bounty’ 1935 trailer

The historic event has had such a huge interest over the years that it has been made into a major movie five times – twice before the Gable version and twice after. There has always been a fascination with how or why the revolt took place- was Bligh a sadistic control freak like the 1935 movie depicts? Or was Fletcher and the crew so engulfed in the freedom and sexual liberation they experienced in Tahiti the thought of going back on board to a disciplinary Captain dreaded them so much that they took a huge gamble and staged a revolt as many contemporary historians suggest was the real cause of the mutiny.

Documentary on facts vs fiction on ‘The Mutiny on the Bounty’

We may not know the real cause of the conflict or what really happened when the crew landed in Tahiti (which is now a Honeymooner’s paradise and where the Real Housewives of Beverley Hills spend their summer vacations) but this film does a good job of trying to fill in the gaps. And although it maybe historically inaccurate in some parts – the film is bloody entertaining – I was not expecting to like it so much. It has the suspense of a modern blockbuster and you become so invested in the characters that you are desperate for Bligh (who was voted AFI’s 19th best villain) to have a piece of his own medicine. Charles Laughton who looks like a cross between Boris Johnson and Oscar Wilde is terrific as the ruthless captain who lacks a drop of compassion and Gable comes across as endearing and idealistic that he almost seems like an early prototype of Paul Newman’s character in Cool Hand Luke (1967). I haven’t seen the other versions of this story, but this is the only one that made it into the prestigious AFI top 100 list that it is probably the best version. Even Marlon Brando couldn’t save the 1962 version from it being a huge critical and financial disaster. But it would be interesting to see how Mel Gibson tackles the protagonist and Anthony Hopkins the villain in ‘The Bounty’ (1984).

the-bounty - gibson

Hopkins and Gibson in ‘The Bounty’ (1984)

For Bligh’s and moustacheless Gable’s near perfect performance, the cameo from James Cagney and the jam packed action that inspires blockbuster films to this day – I give ‘Mutiny on the Bounty’ a perfect score 5 out 5.

 

How James Dean’s 7 Hours On The Big Screen Made A Lasting Impact

The last day of September this year marked the sixtieth anniversary of the death of on one of the most iconic movie stars to ever grace the screen. I arguably use ‘iconic’ loosely when writing up my experiences of doing the American Film Institute challenge, but James Dean is the epitome of a movie star – even his death from a tragic head on car collision at the age of twenty-four is legendary. People to this day pay their respects to the site where he died in California and I can bet that a large majority of those visitors have never seen a film he had starred in.

Dean was a fan of fast cars

What made this film star who only managed to do three movies in his lifetime and never won an Oscar remembered by critics and the public as one of the all time greats? Two of his movies were featured in the AFI top 100 movies of all time list and he even managed to bag himself a spot in the Top 25 male stars of the Golden Age where he is in the company of much more prolific stars like Humphrey Bogart and James Stewart whose body of work over the years earned them a place on the list. But what separates James Dean from these Hollywood heavyweights is that I can almost guarantee that a casual movie fan will know who Dean is and there is a fair chance they will not have a clue about Bogart or Stewart unless you mention ‘Casablanca’ (1942: AFI 1998#2, 2007 #3) or ‘It’s a Wonderful life’ (1946: AFI 1998 #11, 2007 #20).

It’s a mixture of things that has given James Dean immortality and placed him in the consciousness of all popular culture fans:

1. Firstly like Peter Pan he never grew old – he will always be known for good looking and cool outsider in his most famous role ‘Rebel Without A Cause’ (1955: AFI 1998 #59) and not that difficult and eccentric overweight actor who didn’t bother to learn his lines that Brando became later in his career.

2. He had a timeless style – you could never go wrong with a pair of Levis, a white t-shirt and slick back hair. Unlike stars of the 80’s who had mullets or ridiculously long side burns from the 70s, actors from the 50s had a cool and classic style. James Dean’s look was never dated which is why he is still so marketable and his pictures would not look out-of-place on a teenage girls bedroom wall along with the Channing Tatums and Zac Efrons of today.

3. Finally he was a damn good actor – Although he never received an Academy Award he was nominated twice for East of Eden (1955) and for Giant (1956: AFI: 1998 #82). His portrayal of troubled Jett Rink in ‘Giant’ who was infatuated with Elizabeth Taylor’s character was intense, powerful and showcased his natural acting ability.

Unfortunately Dean would not be able to see the final product of his epic and perhaps most ambitious film as he died before the film was released. But luckily he managed to complete the film co-starring Rock Hudson and Elizabeth Taylor who were bigger and better known actors at the time. The media hype surrounding Dean’s death propelled the movie to be a huge hit when it was released a year later. The American drama tells the tale of a wealthy Texan family in the 1920s until the Second World War. Dean plays a handyman hired by the Hudson and he soon becomes obsessed with his wife played by Taylor – a love triangle develops and things get more complicated when Dean discovers oil on his small plot of land and becomes filthy rich.

struck it rich!: James Dean in ‘Giant’

I didn’t know much about the plot before I convinced my mum she would like it and to watch it with me, but feared it could have been a Western (you know how I hate those). Thankfully it wasn’t and at times it reminded me of ‘Gone With The Wind’ (1939: AFI 1998 #4 2007 #6) for its elaborate storytelling and like the seminal movie starring Clarke Gable you need to set aside the whole morning to complete the movie. The story even highlights racism Mexican immigrants faced in the USA during the first half of the Twentieth Century which often gets overlooked in Hollywood. For the ambitious screenplay, excellent cast and getting a glimpse of how Dean would have looked when he was older I give the movie a 5 out of 5.

Elizabeth Taylor speaks about ‘Giant’ co-stars Dean and Hudson

In contrast ‘A Rebel Without A Cause’ ensures Dean remains youthful as teenager Jim Stark who has trouble fitting into his new high school. He clashes with popular students which results in the famous car race scene that has been redone a thousand times by copycat movies. The chemistry between Natalie Wood and Dean is perhaps more convincing than with Taylor in ‘Giant’.

The movie oozes iconic from the famous ‘tearing me apart’ scene in the police station to the episode in the cinema – it is clear that this film was the prototype of the countless teenager rebellion movies that were released over the last sixty-years. I would argue that Dean’s depiction of complex and perhaps mentally unstable Stark was his most challenging role. This flick is a must see for any fan of cinema – it’s beautifully shot, acted and highly influential – for this reason I also give it 5 out of 5.

A Rebel Without A Cause Trailer

James Dean never got the chance to branch out and attempt roles outside his comfort zone (he seemed to always play the underdog with an emotional past) but to be fair he never had the chance to step outside the box. Would he have been a great musical star or action hero? We will never know, but he has left a huge impact on films and popular culture that most actors would struggle their whole career to achieve and so his films deserve their place on all time great lists.

James Dean and Natalie Wood play troubled teenagers in ‘Rebel Without A Cause’

Fear of Heights, Assistants & Wolves

The second bank holiday just passed in the UK and you know what that means – more classic movies to catch up with. I managed to watch 3 films featured on The American Film Institute’s top 100 movies of all-time list over the long weekend. I’m trying to cut back on big nights out to get that toned abs look in time for the Summer – so pretty much stayed home all weekend and thought I’d make a dent on the list.

First up was a movie I have been anticipating since I staggered upon the countdown all those years ago and that was ‘Vertigo’. Considered Hitchcock’s finest work and starring one of the classic period’s biggest stars James Stewart – the movie had a lot to live up to and it climbed up an astounding 52 spots on the revised list from #62 to #9. I even convinced my sister Nicky who doesn’t think any movie made before 1985 is worthy of her time that “This is the one to watch”. I was expecting suspense, superb acting and a gripping plot – it had all that, but something was missing. Maybe the hype was too high that it could never live up to it, but I felt it was at times too slow and perhaps too long (it didn’t help that Nicky kept asking how long left). The movie though was shot beautifully and the chemistry between Kim Novak and Stewart was electric, but I’m not too sure how this could be Hitchcock’s highest place movie on the chart (don’t tell anyone, but I liked ‘Dial M for Murder’ more) I’d give it 3 out of 5 – perhaps like contemporary critics my appreciation for the ‘Vertigo’ will increase over time.

James Stewart & Kim Novak in ‘Vertigo’

Next up is perhaps my favourite picture of all time so five out of five even before I review. I’ve seen it before, but I again convinced Nicky to watch ‘All about Eve’ (1998 #16, 2007 #28) on Sunday night. I was slightly nervous because I love the film so much and would be so disappointed if she didn’t feel the same – thankfully she did. What I love about this picture apart from the witty screenplay, immense acting and all around awesomeness is how relevant the plot is today 65 years after it was released. Everyone wants to be famous and they will do anything to get there – we’ve seen it before, I can imagine one of the Kardashians relating to Eve so the film is timeless. Perhaps the dinner party is my favourite scene, Davies (who should have taken a joint Oscar with Gloria Swanson that year. Judy who?) is as catty and sharp as ever and Marilyn Monroe makes a pre-superstar appearance playing her ditsy self. The camera loves her and she is indeed a star, but I couldn’t help but share the same sentiments as Nicky when she said “She plays the same dumb blonde role all the time with the stupid voice”- Perhaps someone like Gloria Swanson, Shelly Winters or Natalie Wood deserved her place on the 50 Greatest Stars of all time.

Watch the gala premiere of ‘ All about Eve’ – Davies brings her mother as her plus one. How cute.

The final film I forced myself to watch was ‘Dances with Wolves’ which was on TV yesterday- actually my Brother Sati convinced me to see it – you see I’m pretty reluctant to see anything Western (I still haven’t seen ‘The Searchers’ yet) and especially if it has Kevin Costner in it, but it was featured at #75 on 1998 list, so it would be another one to cross off. I was pretty surprised to see the movie trending on Twitter when it aired and I even tweeted ‘Not bad for a Kevin Costner movie’. The plot was solid but what particularly impressed me was Costner’s directing which won an Academy award it was far better than his at times stiff acting and unbearable narration. The film is worth seeing even if just for the scene where they chase the buffalos – I really hope no animals were hurt during the filming of this epic movie that took five years to make and at times felt as long to watch. But what do you expect from a Western War film? I’d give it three stars.

See Kevin Costner winning Best Director at the 1991 Oscars

I’ve set my Sky Planner for ‘North by Northwest’ and ‘Rear Window’ – Come on Hitchcock, Grant and Stewart! Don’t disappoint!