How James Dean’s 7 Hours On The Big Screen Made A Lasting Impact

The last day of September this year marked the sixtieth anniversary of the death of on one of the most iconic movie stars to ever grace the screen. I arguably use ‘iconic’ loosely when writing up my experiences of doing the American Film Institute challenge, but James Dean is the epitome of a movie star – even his death from a tragic head on car collision at the age of twenty-four is legendary. People to this day pay their respects to the site where he died in California and I can bet that a large majority of those visitors have never seen a film he had starred in.

Dean was a fan of fast cars

What made this film star who only managed to do three movies in his lifetime and never won an Oscar remembered by critics and the public as one of the all time greats? Two of his movies were featured in the AFI top 100 movies of all time list and he even managed to bag himself a spot in the Top 25 male stars of the Golden Age where he is in the company of much more prolific stars like Humphrey Bogart and James Stewart whose body of work over the years earned them a place on the list. But what separates James Dean from these Hollywood heavyweights is that I can almost guarantee that a casual movie fan will know who Dean is and there is a fair chance they will not have a clue about Bogart or Stewart unless you mention ‘Casablanca’ (1942: AFI 1998#2, 2007 #3) or ‘It’s a Wonderful life’ (1946: AFI 1998 #11, 2007 #20).

It’s a mixture of things that has given James Dean immortality and placed him in the consciousness of all popular culture fans:

1. Firstly like Peter Pan he never grew old – he will always be known for good looking and cool outsider in his most famous role ‘Rebel Without A Cause’ (1955: AFI 1998 #59) and not that difficult and eccentric overweight actor who didn’t bother to learn his lines that Brando became later in his career.

2. He had a timeless style – you could never go wrong with a pair of Levis, a white t-shirt and slick back hair. Unlike stars of the 80’s who had mullets or ridiculously long side burns from the 70s, actors from the 50s had a cool and classic style. James Dean’s look was never dated which is why he is still so marketable and his pictures would not look out-of-place on a teenage girls bedroom wall along with the Channing Tatums and Zac Efrons of today.

3. Finally he was a damn good actor – Although he never received an Academy Award he was nominated twice for East of Eden (1955) and for Giant (1956: AFI: 1998 #82). His portrayal of troubled Jett Rink in ‘Giant’ who was infatuated with Elizabeth Taylor’s character was intense, powerful and showcased his natural acting ability.

Unfortunately Dean would not be able to see the final product of his epic and perhaps most ambitious film as he died before the film was released. But luckily he managed to complete the film co-starring Rock Hudson and Elizabeth Taylor who were bigger and better known actors at the time. The media hype surrounding Dean’s death propelled the movie to be a huge hit when it was released a year later. The American drama tells the tale of a wealthy Texan family in the 1920s until the Second World War. Dean plays a handyman hired by the Hudson and he soon becomes obsessed with his wife played by Taylor – a love triangle develops and things get more complicated when Dean discovers oil on his small plot of land and becomes filthy rich.

struck it rich!: James Dean in ‘Giant’

I didn’t know much about the plot before I convinced my mum she would like it and to watch it with me, but feared it could have been a Western (you know how I hate those). Thankfully it wasn’t and at times it reminded me of ‘Gone With The Wind’ (1939: AFI 1998 #4 2007 #6) for its elaborate storytelling and like the seminal movie starring Clarke Gable you need to set aside the whole morning to complete the movie. The story even highlights racism Mexican immigrants faced in the USA during the first half of the Twentieth Century which often gets overlooked in Hollywood. For the ambitious screenplay, excellent cast and getting a glimpse of how Dean would have looked when he was older I give the movie a 5 out of 5.

Elizabeth Taylor speaks about ‘Giant’ co-stars Dean and Hudson

In contrast ‘A Rebel Without A Cause’ ensures Dean remains youthful as teenager Jim Stark who has trouble fitting into his new high school. He clashes with popular students which results in the famous car race scene that has been redone a thousand times by copycat movies. The chemistry between Natalie Wood and Dean is perhaps more convincing than with Taylor in ‘Giant’.

The movie oozes iconic from the famous ‘tearing me apart’ scene in the police station to the episode in the cinema – it is clear that this film was the prototype of the countless teenager rebellion movies that were released over the last sixty-years. I would argue that Dean’s depiction of complex and perhaps mentally unstable Stark was his most challenging role. This flick is a must see for any fan of cinema – it’s beautifully shot, acted and highly influential – for this reason I also give it 5 out of 5.

A Rebel Without A Cause Trailer

James Dean never got the chance to branch out and attempt roles outside his comfort zone (he seemed to always play the underdog with an emotional past) but to be fair he never had the chance to step outside the box. Would he have been a great musical star or action hero? We will never know, but he has left a huge impact on films and popular culture that most actors would struggle their whole career to achieve and so his films deserve their place on all time great lists.

James Dean and Natalie Wood play troubled teenagers in ‘Rebel Without A Cause’

Spike Lee has us asking the same question more than 25 years later

I’ve been pretty troubled with some of the news I’ve been reading from across the pond – it seems like attitudes to race hasn’t changed much in some areas of States since the Civil Rights Movement. Despite there being a black President it appears that deep rooted prejudice is more prevalent than ever and with the rise of citizen journalism on social media sites like Twitter and Facebook people in authoritative positions have been exposed for abusing their power.

Depressingly Hollywood has a history of excluding black actors in their movies or casting them in roles which were stereotypical. There was a huge uproar when Hattie McDaniel, who played a maid in ‘Gone with the Wind’, was forbidden from attending the première of her own movie in 1939. Although she was able to collect her Best Supporting Actress accolade at the Academy Awards (the first ever won by a black actor) she was unable to sit with the cast at the front and was placed at the back of the theatre on her own with an escort. You’d think racism would have been completely erased from modern day American cinema, but leaked racist emails of top Hollywood producers mocking Obama earlier in the year revealed the problem still exists.

Hattie McDaniel accepts her Oscar in 1940

So it’s not surprising that the 1998 and 2007 list of the American Film Institute’s top 100 films of all time only has one ‘black’ film – ‘Do the right thing’ (1989: AFI 2007, #96), directed and starring Spike Lee. The movie set in a black neighbourhood in Brooklyn centres around Mookie who works as a Pizza delivery man for an Italian-American family. Although he gets along with the owner, his son Pino dislikes blacks and often clashes with Mookie. Racial tension between the Italians and African Americans in the neighbourhood steadily rise over the course of the film until it reaches boiling point. This is when the audience ask themselves ‘Did Mookie do the right thing?’ I don’t want to give away the plot too much, so will not say exactly what he did, but what makes the film so unique is that it is extremely difficult to answer and it has people questioning whether or not they hold the same prejudices depicted by some of the characters in the film.

Spike Lee, Danny Aiello, Richard Edson & John Turturro

I’m guilty of initially having the opinion of most non-blacks by believing the main character was wrong for his actions, but in an recent interview Lee stated that he had not come across one black person who thought the protagonist was wrong and they all believe that Mookie was  justified for his actions because he reached boiling point. What people also fail to realise is his actions in the penultimate scene of the movie indirectly prevented more serious casualties – nothing in more precious than a life. How could I have missed that?

Spike Lee speaks about his landmark movie 25 years later 

The movie rightly deserves its place in the list; it terrifically depicts urban life in New York in the late 80’s. The stylish freestyle dance sequence done by a then unknown Rosie Perez in the opening credits highlights that Spike Lee not only hoped to create a movie that was socially conscious but wanted to showcase all the positive things black culture has brought into the mainstream. Although this movie is blueprint for films that explored similar themes in the 1990s, I feel that ‘Boyz in the Hood’ (1991) and ‘Menace II Society’ (1993) were more gripping and for this reason I give this movie a 3 out of 5.