Hoffman Blows Childhood Favourite Creation Out of The Water

Long before the late Robin Williams did his best drag impression in ‘Mrs Doubtfire’(1993) Dustin Hoffman arguably played it more convincingly in ‘Tootsie’ (1982: AFI 1996 #62, 2007 #69). Sure Williams had the advantage of superior make-up to effectively disguise his identity, but Hoffman’s character was better developed and it always bugged me that Mrs Doubtfire introduced herself as English rather than Scottish (those darn Americans!) in the 1993 film set in San Francisco based on a book by British author Anne Fine (those darn Americans!).

When I sat down to watch the 1982 Oscar Winning movie for my AFI 100 movie challenge I definitely had my favourite childhood film to compare it to, but to be honest the only similarities are that the protagonists dress up as women to deceive people close to them with hilarious consequences. That’s where the comparison ends.

In ‘Tootsie’ Hoffman plays Michael Dorsey an out of work actor who has a reputation of being difficult so no one in the industry wants to work with him. He hears of a upcoming role in a soap opera and auditions for the part of ‘Dorothy Michaels’ disguised as a woman and wins the part.  Much to Dorsey’s shock his creation becomes an overnight sensation because of ‘her’ feisty and no nonsense attitude. But things get a bit awkward when Dorsey falls for his co-star Julie Nichols played by innocent and timid Jessica Lange. There is even a really cringy scene where Michaels who is meant to be a middle-aged feminist tries to kiss Lange.

Lange and Hoffman get cosy

Although the movie is entertaining and Hoffman is brilliant as the eccentric Michael Dorsey and equally nuts Dorothy Michaels I wondered if the flick was good enough to make it on AFIs list of 100 movies of all time. What separates it from all the other comedies where the main character cross-dresses to trick people? Firstly the script is sharp and punchy and unlike family friendly ‘Mrs Doubtfire’ this film is for the adults. The supporting cast is terrific, Teri Garr (Phoebe’s mum in Friends) plays the ditsy and hopeless romantic acting student of Hoffman and I think she should have taken the Oscar for Best Supporting Actress rather than wooden Jessica Lange.  Bill Murry brings in his typical dry wit dry humour as Hoffman’s roommate in his pre-Ghostbuster superstardom days.

Dustin Hoffman, Terri Garr & Sydney Pollack on the set of ‘Tootsie’

But most importantly Michael Dorsey /Dorothy Michaels is believable and more likable than William’s creation in this Sydney Pollack classic. There are a few flaws in ‘Mrs Doubtfire’ that I’ve come to realise as I’ve grown older. Firstly Robin Williams character is pretty much a loser, he lives off his wife, behaves likes a big kid and we are supposed to feel empathy for him when she throws him out? In real life a character like that wouldn’t have the intelligence or guts to pull of Mrs Doubtfire. In fact he would probably break down in tears the moment he steps into his old family home again. Hoffman’s character is a go-getter, a perfectionist who knows what he wants and is ruthless in his pursuit which makes the movie more realistic than the similar plots made before and after the 1982 classic flick. Although one can argue Williams complete and utter dedication towards his children gives him the courage and determination to succeed in his trickery.

Robin Williams On Dustin Hoffman’s ‘Tootsie’ Performance

Dustin Hoffman is perhaps the most underrated performer of his generation. In the 1970s only he and Jack Nicholson were able to immerse themselves in completely different roles in a believable manner. So it’s sometimes frustrating that De Niro and Pacino gets all the praise when most of the time they often played one dimensional characters (but brilliantly nevertheless). For the shear genius of Hoffman who despite having a stellar supporting cast can carry this movie by himself I give ‘Tootsie’ a 4.5 out 5.

Angelina Jolie’s Dad Tries To Make It In The Big Apple

I’ve been slacking with my American Film Institute challenge this week – my good friend Cam brought me a copy of ‘2001: A Space Odyssey (1968: AFI 1998#22, 2007#15) for my birthday way back in March, but I haven’t got around to watching it yet. But I did oddly enough catch Michael Douglas promote his new comic film on the ‘One Show’ on BBC1.

I was definitely not interested in hearing what he had to say about his new movie ‘Ant-Man’ (2015, seriously? An Ant like superhero? Is there a Daddy Longlegs Man movie in the works?) starring Paul Rudd, the man who I was convinced got his big break in ‘Clueless’ (1995) from being a top movie executive’s son because I can’t imagine what made a casting director say ‘That plain looking dude with mediocre acting skills is our man! He’ll play the star’s love interest!’ What I really wanted to hear was how his legendary dad Kirk Douglas was keeping. This man is truly one of the last remaining actors of the Golden Age in Hollywood and at 98 he is the oldest active blogger for the Huffington Post. But unfortunately the presenters only briefly mentioned his father and talked about more trivial things like how good his Welsh is – that’s what you get for BBC early evening family viewing.

Jon Voight & Dustin Hoffman living rough in ‘Midnight Cowboy’

Having a super-famous dad like Kirk must have helped Michael Douglas get his foot into acting, but I refuse to believe that he is the sole reason for his son’s success – why weren’t the other brothers Oscar winners like Mr Zeta-Jones? Another star whose Dad probably gave her a helping hand into the world of cinema is Angelina Jolie – although she is arguably more successful than her father Jon Voight, she definitely hasn’t starred in an iconic movie (The closest she has got is ‘Girl Interrupted’ (1999) but that’s a bit of a stretch) like ‘Midnight Cowboy’ (1969: AFI 1998#36 2007#43) – the only X-rated Best Winner Picture at the Academy Awards.

Like ‘Easy Rider’ (1969: AFI 1998#88 2007#84) the movie explores taboos themes of promiscuity, drugs and life in 1960’s America, but unlike ‘Easy Rider’ the film has a solid plot and superb acting from Voight and Dustin Hoffman. The story revolves around Joe Buck a naïve Texan who goes to New York in hopes of becoming a male prostitute, things don’t go to plan and he becomes so desperate that he ends up staying with Ratzo, (Hoffman), a crippled con man who ripped Voight off money when he first arrived in the city. The two form a close bond and try their luck at becoming hustlers together.

The famous ‘I’m walking here’ quote was apparently improvised by Hoffman

The story has similarities to perhaps my favourite novel ‘Catcher in the Rye’ (1951) – the protagonist in both plots are naïve yet good hearted anti-heroes who struggle with their sexuality and face alienation and loneliness in cities that are too big and intimidating for them. Although it’s unlikely we will ever get to see Holden Caulfield on the big screen (thanks to author J. D. Salinger vetoing a big screen adaptation of the book) Joe Buck is the closest we’ll ever get. For the moving, but utterly devastating ending to the film it alone deserves a 4.5 out of 5.

Harry Nilsson’s iconic ‘Everybody’s Talkin’ was played throughout the movie